What I’m reading

2018

November

52 Ways of Looking at a Poem by Ruth Padel. OK, so I havn’t actually read all of this yet (if I take one poem a week, it’ll take me all year), but I’ve read the introductory essays which had me saying, ‘Oh, I see,’ to myself many times. I’m also re-reading the AQA GCSE English ‘Power and Conflict’  poetry pack (which has some real favourites in it), and generally trying to be more open about my poetry reading. And trying to read poetry slowly, appreciatively, without skim reading.

Normal People by Sally Rooney. Took me a while to get started, as I felt the beginning was a littel contrived, but then I found I totally cared for the two protagonists and absolutely fell into it and didn’t want it to stop. (Had to keep checking back on the passage of time – note to self – keep it really simple!)

I Capture the Castle by Dodie Smith. Wonderful, wonderful novel (which I’ve read many times before). Cassandra is one of my favourite narrators and the opening line: I write this sitting in the kitchen sink is one of the best opening lines. The standard of writing remains this high throughout.

The Possession of Mr Cave by the excellent Matt Haig, though this one was disturbing and chilling, with an increasingly deluded and demented protagonist.

I Remember Nothing by the brilliant, witty, acerbic yet self-deprecating Nora Ephron.

Lessons for an Apprentice Eel Catcher by Ale Toms. Poetry. Beautiful word weaving by very talented local poet.

Lullaby by Leila Sliman (transl. Sam Taylor). Thriller beginning: ‘The baby is dead. It only took a few seconds.’ Unpleasant but unputdownable…! Well-written.

Take Nothing With You by Patrick Gale – a favourite author, and this one began with the main character taking a dose of RadioActive Iodine for a thryoid cancer, which had personal interest (see my other blog My Big, Fat Thyroid!).

October

I Am, I Am, I Am – 17 Brushes with Death by Maggie O’Farrell – utterly compelling. I’m familiar with a writer hooking their autobiography onto a theme, but to write through having had so many close-encounters with death is quite an extraordinary, but surprisingly successful choice of theme. Hugely readable (I could barely put it down), and worryingly relatable in parts. Best read of this month, so far.

Every Third Thought by Robert McCrum

The Stars are Fire by Anita Shreve

The Music Shop by Rachel Joyce

How to be Happy by Eva Woods

Lawn House Blues by Philippa Hawley – her third, recently-released novel. A page-turner and thoroughly entertaining read. I’m partisan because she’s my friend (and if you visit her website, look out for me filming her book-launch speech in one of the photos!).

Transcription by Kate Atkinson – not a read (though I did read the first chapter in a promotional pamphlet form) but a listen on Book at Bedtime (catch it on iplayer). Different from her other stories, but still fascinating.

September

The Wife of Bath’s Prologue and Tale by Geoffrey Chaucer (with an inter linear modern English translation!) Fantastic! Shouldn’t have been so terrified of it…

Autumn by Ali Smith – beautiful, sensory, dreamlike and clever. Warm and funny. Should have read this when it first came out. Going to look out for other books by Ali Smith now.

Outline by Rachel Cusk

The Devil in the Snow by Sarah Armstrong

The Curious Charms of Arthur Pepper by Phaedra Patrick

 

August

The Accidental Tourist by Anne Tyler – Anne Tyler’s writing is gentle, accurate and believable, and the idea of a travel writer who hated travelling ensured this was a humorous and thoughtful story.

The Pebbles on the Beach: A Spotter’s Guide by Clarence Ellis

Whistle in the Dark by Emma Healey – I loved Elizabeth is Missing and couldn’t wait to read this. It was great! A put-upon mother of teenagers struggles through the aftermath of her daughter’s return after her mysterious and unaccounted for disappearance, and I loved how the story jumped around in supposedly random ‘stream of consciousness’ subheadings, like the workings of the protagonist’s mind. Don’t let that rather weak description put you off – it’s a cracking, well-written story and the unusual structure works brilliantly, and doesn’t interfere. As a reader, I felt huge empathy for Jen, the mother. Innately readable, and enough mystery that I always wanted to read on.

 

July

The Humans by Matt Haig – funny and heartwarming – highly recommended, clever story. Made me laugh out loud while waiting to fly (an experience which always scares me, so this distraction was a good one!)

Fish Anthology 2018 – of course! An excellent read…

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